A Reflection on the Writing of Subcutaneous, Subcortical, Subconscious and Subterranean: The Most Toxic...

When Dennis first approached me to write a chapter on ‘Deep Play’, I experienced a gamut of emotions from my initial feelings of delight and I must admit some pride, which very quickly gave way to apprehension and concern that my writing style may give me away as being neither an academic, nor a story-teller. Once I managed to recognise these feelings as my own childhood scripts I was able to harness them and regulate my growing unease, which allowed the feelings to abate; this was old-stuff. Relieved of these constraints I set about the task for which I had been assigned; to consider the notion of ‘Deep Play’.

The Deep Play Project

“I set out wanting to compile and edit a book called, "Deep Sand – Exploring a Body Centered Approach to Psychotherapy with Children”, with chapters by various therapists who used a deep sandbox as part of their work with children and that embraced some version of a somatic oriented approach, not necessarily mine. This immediately became a problem as there were very few therapists I could find who used a deep box. (Why this is so could be the subject of another book.) So I modified the book’s theme to that of considering the idea of depth in general, i.e. the idea of embracing body, mind, psyche, instincts, all in the context of play.

Speaking of Bodies: Embodied Therapeutic Dialogues

How do we embody words and ideas? The written word in general, and specifically in psychotherapy literature, struggles to embody. Ideas are indeed alive in the body, yet their ink form often floats, stirs thoughts and even more ideas, becomes distant from breath. I am never sure how possible it is to write in a way that maintains connection to the body, and to someone else, while still offers rigor of thought and style.

Meeting the Needs of Parents Pregnant and Parenting after a Loss

We’re committed to spread information to parents that the unborn baby’s personality and development can be impacted during pregnancy. Today we have solid research to support that the mother’s stress during pregnancy may indeed impact a child’s personality. Thus, an intervention to help parents know ways to engage with their unborn baby, whether in a low risk pregnancy or one that follows a perinatal loss is an important goal. Our book outlines specific interventions to use at each stage of pregnancy that facilitates prenatal parenting to connect with the unborn baby. We hope that you find it useful resource, and we thank you for your work with bereaved families.

It’s Never Too Late: Healing Prebirth and Birth at Any Age – A Reflection...

Early in the writing of the first draft of It’s Never Too Late: Healing Prebirth and Birth At Any Age, I discovered there were steps, especially in the embryo’s story, that even after studying, I had difficulty envisioning. At the time I wondered, could I leave these hard to reach, yet essential steps out of my written examination? Would anyone besides experienced embryologists and biodynamic craniosacral therapy teachers notice? It didn’t take long to come clean with myself, that if I skipped intricate steps in my understanding, I would only further reinforce what was at the root of my amnesia, and that in order to be whole myself, I had to find out what was going on.

When Hurt Remains

Moshe Feldenkrais (1977), who developed the Feldenkrais method, considered walking as a series of controlled fallings. With each step we lose our balance and retrieve it. With each step we fall forward and block the fall with yet another step. Instead of perceiving falling as an undesired process, it becomes a prerequisite for moving forwards. Movement necessitates falling.

Meditating with Character

I've learned about the simple bliss of making contact with my experience through meditation and character structure. My 'heady' part can now more easily dissolve into the ease of just sensing the softening of the scalp. In fleeting flashes, there is no me or mine in the way I conceive of me or mine in my every day mind. There's just this body, sitting and noticing sensations arise and fall, nothing to do, nowhere to go. A sigh on the out breath as my shoulders drop a few millimeters and I soften into the earth.

Writing on the Moon

Writing on the Moon is fifteen years in the making and it is about imagination and originality—two crucial elements in our creative life—and the ability to magically rearrange memories and emotions that have been stored away in some deep and ‘unworded’ place. Young children have direct access to their creative unconscious and touch of wonderment. But many of us lose some of that ability as we get older and become more constrained and concrete— and perhaps frightened of that playful part of ourselves. When I was a young girl I would spend hours in my large walk-in closet, playing with my imagination. I would put on my glasses and my wooly cape, and I would make up stories of traveling across the desert to live in a small Bedouin town, selling exotic perfumes. Or turning jewels into meteor showers. I would consult elders about secret watering holes, which led to narrow trails and berry patches. The elders scratched a map in the dirt and showed me where quicksand hid and monsters lurked.

Reflections on Writing Becoming Us

At the same time I studied psychology and then, pregnant with our second child, trained and began my employment as a relationship counsellor, working with couples, who like us, were on the front lines in the trenches of early parenthood. Over the years, I took history after history of their relationship journey - hundreds of them - finding that we all had the same twists and turns: things change, in life and in love, after two become three, and that these changes inevitably have effects on a couple’s relationship. What I was also learning, both personally and professionally, was that how a couple manages the changes determines the future of their relationship. I remember thinking someone should write a book about all this stuff. I didn’t think it would be me.

Going to the Prom

Honestly, I never set out to become an author. In fact, as I sit here eighteen years after my first book was published, I’m still not sure how it all happened. One thing led to another and the rest, as they say, is history.