In this article, I will introduce a set of grammar clarifying body psychoanalysis, which extends not only to psychopathology, itself primarily interpreted as being bottom-up in terms of evolutive time, but also, to clinical psychotherapy, that follows. Perhaps I am outlining a new position, certainly it takes the Reichian paradigm deeper, or is, rather, a "change in the visual gestalt" as Kuhn might put it. It represents a change in the mental architecture of observation which emerges from a different way of feeling, I might add. It is a paradigm which reads the unconscious in its entirety, because the unconscious is undoubtedly a "mirror" for what has been deposited in the body.
Peter Sedlmeier offers a representative overview of meditation with a scientific slant in his new book The Psychology of Meditation. Divided into four parts, the text guides readers through varieties of meditation, the effects of meditation, theories of meditation, and concludes with Part 4: Perspectives. He notes that the first 10 chapters build the foundation to support the endpoint, Chapter 11: Perspectives on Meditation Research.
Masks have fascinated cultures and individuals for centuries. In ancient Greek plays, masks were thought to embody the spirit of the character that the actor played. It was as if the mask itself used the actor to bring the character it represented back to life. The actor could often feel overtaken by the character of the mask. The voice of the actor in the here and now expressed the spirit of the character portrayed. But a mask is more than the physical material, be it leather, Papier-mâché, or terra cotta. It is a representation of the person in appearance and voice. How many disguises live in our voice, our sounds, and sayings?
Gravity matters. Not simply to keep us physically grounded here on Earth, but, at a fundamental level, our relationship with gravity affects our lives from start to finish. We start life floating in amniotic fluids. It's easy to assume a sense of buoyancy, free from gravity's impact. Yet, gravity is necessary for our physiological development during the second half of our lives in the womb.
By Nancy Eichhorn, Ph.D. My inner editor smiles (envision a Cheshire Cat grin) when reviewing a new book and its layout includes all the necessary...
I focus my reviews on prepublication manuscripts and “hot-off-the-press” texts. Because I’m a small niche publication, I try to offer readers material they cannot get else where. But I started to wonder about revised and second editions. All things considered, it can take years for people to write and publish their work. The time, the turmoil, the tears. It takes a toll. Combine joy, release, and celebration to that mix? You just might create a tsunami of emotional and/or physical impact on one’s body and soul. The question nudging my brain awake at 2 am was: Why do authors go through that ordeal with the same material? Isn’t once done, good enough?
One thing I have learned about myself is that I am intuitive. An idea appears to spring forth from the depth of my unconscious, without much form but with enough felt sense conviction to pursue it one way or the other. It acquires shape and clarity and is reality tested in the process of expressing it, teaching it, or writing about it. It is not unlike the process that a painter might undergo in bringing an inspired image in one’s mind’s eye to the canvas. I now understand and accept this as my creative process
The Practice of Embodying Emotions: A Guide to Improving Cognitive, Emotional, and Behavioral Outcomes
This morning I felt a connective epiphany, a strong resonance, while reading Raja Selvam’s new book, The Practice of Embodying Emotions, chapter 9 specifically, I felt like someone in the driver’s seat actually knew where he was going, directed by an intuitive GPS taking him and me to an emotional place that made sense: sensorimotor emotions. I offer my review of his book in hopes it might shed light on clients you are working with or perhaps something within yourself as well.
This issue of SPT Magazine offers articles published online this past year for readers who do not follow us on Facebook and LinkedIn, and for those who want all of the articles in one PDF they can download and read at their convenience. I hope 2022 brings a return of contributors willing to share their experiences and clinical knowledge with our readers.
What do seasoned actors express that is more than the lines they say? What do the ‘raw/gut’ sounds behind our words actually mean? How aware are we of the underlying causes of our own and of others vocal tensions? How might professionals intentionally access ‘sound’ to more effectively persuade clients? And baby talk. What do we know about this? The bridge between early childhood sound and adult vocal tones is an area that requires better understanding if we are to realize fuller potential and depth in our communication. The sounds behind words often express unconscious aspects of ourselves and our memories. This is one reason they tend to remain unknown or unclear to us.