Using the Two-Chair Process: For Helping Babies and Families

The “two-chair” process is a remarkably effective, gentle and safe way to support new families. Popularized in the late 1960s by Fritz Perls, MD (1893-1970) as part of his Gestalt therapy, the method was expanded by Robert Hall, MD (1934-) based on Hall’s study with polarity therapy founder Randolph Stone, DO, DC, ND (1890-1981). The present-day manifestation of the two-chair process also reflects the influence of Peter Levine, PhD (1942-), who studied with Stone and Hall. For a complete description of the method, see Dancing with Yin and Yang (2013) by John Chitty, which contains an extensive 80-page, highly detailed chapter of the two-chair process.

Short Stories from the Biodynamic Psychotherapy Room: Self Regulation

Every particular landscape of events in the therapy room and events that are surrounding this time, act as a microcosm of the universe of the intersubjectivity of the two people in the room. The web of phenomena can be described as multi parallel levels and patterns of balance and flux that we can relate to as phenomenological research.

Short Stories from the Biodynamic Psychotherapy Room: What Makes Biodynamic Massage Psychotherapeutic?

Gerda Boyesen, the founder of Biodynamic Psychology, used to say that the therapist needs to be like Sherlock Holmes and observe the details, be curious about the parts of the puzzle that the person and the situation are made of and ask yourself questions. I call this puzzle the web of phenomena.

Vitality

Join Pedram Shojai, OMD, for his free screening of Vitality. According to Jayson and Mira Calton, founders of Calton Nutrition, "this movie shares ways to increase...

What Language Does Your Body Speak: Some Thoughts on Somatic Psychotherapies in International Contexts

I have begun to ask myself an orienting question that serves more as an ongoing inquiry to assist me to re-organize the work, as needed, versus a question that always has a clear answer: What language does my body speak?

Be Your Own Super-Hero Embodying Your Vision

What might happen if you envisioned a second version of yourself, a personal avatar that embodied knowledge for attaining your goals, for guiding your life or for improving your tennis game?

The Baby is in the Shadow: Why Study Prenatal and Perinatal Patterns?

Working with families and babies who have had overwhelming experiences requires a certain skill base. I have been working in the prenatal and perinatal realm for over 15 years, over 20 years as a body worker, and over 25 in maternal and child health. In the last 14 years, advances in the fields of interpersonal biology, epigenetics, fetal origins, trauma resolution, affect regulation, neuroscience, and attachment have created more acceptance that babies have experiences in utero, during birth, and postpartum (neonatal). My work is about healing moms, babies, and adults with early trauma; prenatal and perinatal therapeutic approaches focus on giving babies the best possible start.

Short Stories from the Biodynamic Psychotherapy Room: Dance, Mothers, and Good Enough Touch

When a good enough mother plays with her baby, a complex reciprocal ‘dance’ unfolds, consisting of touch, observation, movements, the quality of movements, the words and prosody, the pace, and the nature of the words and sounds.

How do we integrate scientific knowledge, training and application into our clinical work?

Hopefully, with good work and practice, with learning ‘on the job’, with learning from one’s mistakes, and by doing some ‘outcome’ studies or research, and thus getting useful feed-back from our clients, our peers, our supervisors, our mentors, etc., we will improve our skill-set. Working in different places, under different conditions, with different client groups, and with people from different cultures, we are able to hone our basic training, natural abilities, our skills: this is the ‘craft’ component of our work. We can only get better by doing more.

Short Stories from the Biodynamic Psychotherapy Room: Beginning to Feel

I entered my room. I like my therapy room. It is large, spacious and painted in my favourite colours: dark aubergine, purple and lilac. It is not the exact shade of lilac I envisioned when describing it to the decorator, but I like it now; the touch of pinkish lilac makes me feel softer, warmer. A dash of green lawn hides beyond the azure curtains. What did my client say yesterday? That it was the first time she had noticed that the walls of my room are pink. So many times she had been in this room – for how many years now? Over two years, almost every fortnight; over fifty sessions of at least one hour each. But still she hadn’t noticed the pink walls, despite being artistic. In her work she employs a great deal of awareness regarding the nature of colour and the slight differences between shades.